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The Feeler 2, 2023 steel, epoxy putty, electrical wires, acrylic ink, lacquer, bird spikes 17 3/4 x 31 x 35 1/2 in 45 x 80 x 90 cm, Photographed by kunstdokumentationcom, Courtesy of Jack Barrett Gallery
The Feeler 2, 2023 steel, epoxy putty, electrical wires, acrylic ink, lacquer, bird spikes 17 3/4 x 31 x 35 1/2 in 45 x 80 x 90 cm, Photographed by kunstdokumentationcom, Courtesy of Jack Barrett Gallery
The Feeler 2, 2023 steel, epoxy putty, electrical wires, acrylic ink, lacquer, bird spikes 17 3/4 x 31 x 35 1/2 in 45 x 80 x 90 cm, Photographed by kunstdokumentationcom, Courtesy of Jack Barrett Gallery
The Feeler 2, 2023 steel, epoxy putty, electrical wires, acrylic ink, lacquer, bird spikes 17 3/4 x 31 x 35 1/2 in 45 x 80 x 90 cm, Photographed by kunstdokumentationcom, Courtesy of Jack Barrett Gallery
The Feeler 2, 2023 steel, epoxy putty, electrical wires, acrylic ink, lacquer, bird spikes 17 3/4 x 31 x 35 1/2 in 45 x 80 x 90 cm, Photographed by kunstdokumentationcom, Courtesy of Jack Barrett Gallery
The Feeler 2, 2023 steel, epoxy putty, electrical wires, acrylic ink, lacquer, bird spikes 17 3/4 x 31 x 35 1/2 in 45 x 80 x 90 cm, Photographed by kunstdokumentationcom, Courtesy of Jack Barrett Gallery
The Feeler 2, 2023 steel, epoxy putty, electrical wires, acrylic ink, lacquer, bird spikes 17 3/4 x 31 x 35 1/2 in 45 x 80 x 90 cm, Photographed by kunstdokumentationcom, Courtesy of Jack Barrett Gallery
The Feeler 2, 2023 steel, epoxy putty, electrical wires, acrylic ink, lacquer, bird spikes 17 3/4 x 31 x 35 1/2 in 45 x 80 x 90 cm, Photographed by kunstdokumentationcom, Courtesy of Jack Barrett Gallery
The feeler 1, 2023 Steel, Epoxy putty, Electrical wires, Found object, Acrylic ink, Lacquer, 50 x 64 x 200cm, Photographed by kunstdokumentationcom Courtesy of Jack Barrett Gallery
The feeler 1, 2023 Steel, Epoxy putty, Electrical wires, Found object, Acrylic ink, Lacquer, 50 x 64 x 200cm, Photographed by kunstdokumentationcom Courtesy of Jack Barrett Gallery
The feeler 1, 2023 Steel, Epoxy putty, Electrical wires, Found object, Acrylic ink, Lacquer, 50 x 64 x 200cm, Photographed by kunstdokumentationcom Courtesy of Jack Barrett Gallery
The feeler 1, 2023 Steel, Epoxy putty, Electrical wires, Found object, Acrylic ink, Lacquer, 50 x 64 x 200cm, Photographed by kunstdokumentationcom Courtesy of Jack Barrett Gallery
The feeler 1, 2023 Steel, Epoxy putty, Electrical wires, Found object, Acrylic ink, Lacquer, 50 x 64 x 200cm, Photographed by kunstdokumentationcom Courtesy of Jack Barrett Gallery
The feeler 1, 2023 Steel, Epoxy putty, Electrical wires, Found object, Acrylic ink, Lacquer, 50 x 64 x 200cm, Photographed by kunstdokumentationcom Courtesy of Jack Barrett Gallery
The feeler 1, 2023 Steel, Epoxy putty, Electrical wires, Found object, Acrylic ink, Lacquer, 50 x 64 x 200cm, Photographed by kunstdokumentationcom Courtesy of Jack Barrett Gallery
The feeler 1, 2023 Steel, Epoxy putty, Electrical wires, Found object, Acrylic ink, Lacquer, 50 x 64 x 200cm, Photographed by kunstdokumentationcom Courtesy of Jack Barrett Gallery
Installation view of Devouring Chaos at Loggia, Munich, 2022, devouring chaos - growth of reconstructed time, overflowing bodies, and static electricity broken chain saw, batteries, LED lights, drill motor, mixer motor, fake flower, dry branches, electrical wire, polymer gypsum, epoxy putty, steal, acrylic color, lacquer, 160 x 80 x 180 cm, 2022
Installation view of Devouring Chaos at Loggia, Munich, 2022, devouring chaos - growth of reconstructed time, overflowing bodies, and static electricity broken chain saw, batteries, LED lights, drill motor, mixer motor, fake flower, dry branches, electrical wire, polymer gypsum, epoxy putty, steal, acrylic color, lacquer, 160 x 80 x 180 cm, 2022
Installation view of Devouring Chaos at Loggia, Munich, 2022, devouring chaos - growth of reconstructed time, overflowing bodies, and static electricity broken chain saw, batteries, LED lights, drill motor, mixer motor, fake flower, dry branches, electrical wire, polymer gypsum, epoxy putty, steal, acrylic color, lacquer, 160 x 80 x 180 cm, 2022
Installation view of Devouring Chaos at Loggia, Munich, 2022, devouring chaos - growth of reconstructed time, overflowing bodies, and static electricity broken chain saw, batteries, LED lights, drill motor, mixer motor, fake flower, dry branches, electrical wire, polymer gypsum, epoxy putty, steal, acrylic color, lacquer, 160 x 80 x 180 cm, 2022
Installation view of Devouring Chaos at Loggia, Munich, 2022, devouring chaos - growth of reconstructed time, overflowing bodies, and static electricity broken chain saw, batteries, LED lights, drill motor, mixer motor, fake flower, dry branches, electrical wire, polymer gypsum, epoxy putty, steal, acrylic color, lacquer, 160 x 80 x 180 cm, 2022
Installation view of Devouring Chaos at Loggia, Munich, 2022, devouring chaos - growth of reconstructed time, overflowing bodies, and static electricity broken chain saw, batteries, LED lights, drill motor, mixer motor, fake flower, dry branches, electrical wire, polymer gypsum, epoxy putty, steal, acrylic color, lacquer, 160 x 80 x 180 cm, 2022
 status of for the time being, 40 x 40 x 140 cm, dry flower, electrical cable, plaster of paris, fiberglass, steel, wooden branches, epoxy putty, 2023
status of for the time being, 40 x 40 x 140 cm, dry flower, electrical cable, plaster of paris, fiberglass, steel, wooden branches, epoxy putty, 2023
Installation View of Breathing Timemarker, 2023, Photographed by Yasmina Haddad
Installation View of Breathing Timemarker, 2023, Photographed by Yasmina Haddad
 status of for the time being, 40 x 40 x 140 cm, dry flower, electrical cable, plaster of paris, fiberglass, steel, wooden branches, epoxy putty, 2023
status of for the time being, 40 x 40 x 140 cm, dry flower, electrical cable, plaster of paris, fiberglass, steel, wooden branches, epoxy putty, 2023
Installation View of Breathing Timemarker, 2023, Photographed by Yasmina Haddad, the meaning of speaking up, 25 x 25 x 145 cm, steel, plaster of Paris, wooden branches, repurposed broken printer, epoxy putty, electrical wires, 3d print, 2023
Installation View of Breathing Timemarker, 2023, Photographed by Yasmina Haddad, the meaning of speaking up, 25 x 25 x 145 cm, steel, plaster of Paris, wooden branches, repurposed broken printer, epoxy putty, electrical wires, 3d print, 2023
Installation View of Breathing Timemarker, 2023, Photographed by Yasmina Haddad
Installation View of Breathing Timemarker, 2023, Photographed by Yasmina Haddad
Installation View of Insides Out, Kunstverein Göttingen, 2023. Photographed by Joe Clark
Installation View of Insides Out, Kunstverein Göttingen, 2023. Photographed by Joe Clark
Installation View of Insides Out, Kunstverein Göttingen, 2023. Photographed by Joe Clark
Installation View of Insides Out, Kunstverein Göttingen, 2023. Photographed by Joe Clark
Installation View of Foreign Object Debris, 2022, Photographed by Kunstdokumentation
Installation View of Foreign Object Debris, 2022, Photographed by Kunstdokumentation
Installation View of Foreign Object Debris, 2022, Photographed by Kunstdokumentation
Installation View of Foreign Object Debris, 2022, Photographed by Kunstdokumentation
Installation View of Foreign Object Debris, 2022, Photographed by Kunstdokumentation
Installation View of Foreign Object Debris, 2022, Photographed by Kunstdokumentation
A proper amount of Pathos, Caring, and Necessity of other beings. A cat can't groom her forehead.  Electrical wire, Epoxy putty, Found objects, Steel, Acrylic ink, LED strips, 170 x 50 x 134 cm, 2022, Photographed by Kunstdokumentation
A proper amount of Pathos, Caring, and Necessity of other beings. A cat can't groom her forehead. Electrical wire, Epoxy putty, Found objects, Steel, Acrylic ink, LED strips, 170 x 50 x 134 cm, 2022, Photographed by Kunstdokumentation
But in the end, what's the difference between the found object debris and me? Electrical wire, Epoxy putty, Found objects, Steel, Acrylic ink, 115 x 110 x 163 cm, 2022
But in the end, what's the difference between the found object debris and me? Electrical wire, Epoxy putty, Found objects, Steel, Acrylic ink, 115 x 110 x 163 cm, 2022
Healing process, Get rid of the foreign matter. Electrical wire, Epoxy putty, Found objects, Steel, Acrylic ink, LED strips 100 x 52 x 184 cm, 2022, Photographed by Kunstdokumentation
Healing process, Get rid of the foreign matter. Electrical wire, Epoxy putty, Found objects, Steel, Acrylic ink, LED strips 100 x 52 x 184 cm, 2022, Photographed by Kunstdokumentation
Installation view at Paulina Caspari, 2022,  in other’s shoes – maybe no need for shoes, Epoxy putty, motorbike parts, electrical wires, fake flower, Polymer gypsum, steel, plaster 110 x 79 x 65 cm, Photographed by Thomas Splett
Installation view at Paulina Caspari, 2022, in other’s shoes – maybe no need for shoes, Epoxy putty, motorbike parts, electrical wires, fake flower, Polymer gypsum, steel, plaster 110 x 79 x 65 cm, Photographed by Thomas Splett
Installation view at Paulina Caspari, 2022,  in other’s shoes – maybe no need for shoes, Epoxy putty, motorbike parts, electrical wires, fake flower, Polymer gypsum, steel, plaster 110 x 79 x 65 cm, Photographed by Thomas Splett
Installation view at Paulina Caspari, 2022, in other’s shoes – maybe no need for shoes, Epoxy putty, motorbike parts, electrical wires, fake flower, Polymer gypsum, steel, plaster 110 x 79 x 65 cm, Photographed by Thomas Splett
Installation view at Paulina Caspari, 2022,  in other’s shoes – maybe no need for shoes, Epoxy putty, motorbike parts, electrical wires, fake flower, Polymer gypsum, steel, plaster 110 x 79 x 65 cm, Photographed by Thomas Splett
Installation view at Paulina Caspari, 2022, in other’s shoes – maybe no need for shoes, Epoxy putty, motorbike parts, electrical wires, fake flower, Polymer gypsum, steel, plaster 110 x 79 x 65 cm, Photographed by Thomas Splett
2023
The man who lost his skeleton, Galerie Derouillon, Paris, France
Life on its own, Kunstraum Schwaz, Schwaz, Austria
Recasted Relations, Exhibit, Vienna, Austria
And then an insurmountable tension, to the level of incommensurability, Palazzo San Giuseppe, Polignano a Mare, Italy

2022 
Portal, Final Hot Desert, Salt Lake City, Utah, USA (Solo)
Reference Festival „Infinitude“, Schinkel Pavilion, Berlin, Germany
Klammern aus denen Blätter Sprießen, Hunter Shaw Fine Art, Los Angeles, CA, USA
Needle & Balloon, Curated by Michal Stolárik, Synagogue - Center of Contemporary Art, Ján Koniarek Gallery, Trnava, Slovakia
Für Dich, Altan, Südtirol, Austria